LIVE FOR A NIGHT TOUR
LIVE FOR A NIGHT TOUR
A fully integrated creative campaign developed to support the Live For A Night tour expanding on the band’s brand narrative that “A R I Z O N A is a place.”
This included in-house stage design and fabrication, timecoded lighting/video integration, themed merchandise, and community-driven fan engagement moments.
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Led creative concept development and narrative extension from album campaign
Oversaw stage design direction, materials, and CAD engineering (with Zach Hannah)
Directed video and lighting integration via timecoded performance programming
Art directed merchandise and city-specific parody line
Shaped fan engagement initiatives including the Dark Skies Challenge
Managed cross-functional collaboration with design, content, and tour teams
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Booking Agents (UTA): Ryan Edmundson & David Galea
Director of Music Tour Marketing (UTA): Nicole Schoen Visconti
Booker / Promoter (Live Nation Global Touring): Tiffany Hilliard
Tour Manager: Josh Granados
Production Manager / Monitors Engineer: Rob Drayton
Lighting & Production Designer: Carlos Katsurayama
Front Of House Engineer: Abel Ocasio
Music Director / Drummer: Zachary Mullings
Screens Content Designer & Tour Content Creator: Joshua Chomik
Merch Designer: Danny Higa
CREATIVE CONCEPT
The Live For A Night tour expanded on a core idea behind our self-titled album: "A R I Z O N A is a place." We wanted fans to feel like they were entering a world of their own — a surreal, inviting place where they could feel at home. The creative began with an idea to turn the stage into a reflective desert landscape, using mirrored monoliths that echoed our album campaign. That evolved into something bigger: a spaceship. A vessel through which we could take our fans to new places every night.
ScENIC DESIGN & BUILD
Working with lighting & scenic designer Carlos Katsurayama, we developed a structure made from two 24’ mirrored panels angled concavely toward the audience. Between them sat a 24’ LED strip - a “window to the world” that resembled the bridge of a spacecraft.
We built the scenic in-house. Our lead singer, Zachary Charles, led CAD design and load simulations.
As Creative Director, I oversaw the visual language and material finishes to ensure the aesthetic aligned with our broader brand.
LIGHTING & SCREENS INTEGRATION
For visual content, I collaborated with content producer Josh Chomik to develop screen material that doubled as stage lighting.
The LED strip wasn't just a display — it became a lighting fixture, alternating between narrative visuals, strobe effects, and color washes.
Everything was timecoded to music arrangements and integrated with lighting design in pre-viz, ensuring the screen, light, and sound moved as one.